gallery view

Monday, February 16, 2026

The Concerto (2026)


The Concerto (2026)
12x36 Acrylic on Canvas
by
 Daniel Cormier

This painting was inspired by my time playing with the orchestra and my long-standing love of classical music. I wanted to create a large-scale work that reflects the experience of being part of that environment, with the violin soloist as the clear focal point.

The soloist stands at the center of the composition, supported by the surrounding orchestra. To build the piece, I worked through several studies of individual musicians, paying close attention to posture, gesture, and the physical demands of playing. I challenged myself to bring a higher level of detail to each member of the ensemble, going beyond my typical approach.

For me, this work is about the structure and discipline of orchestral performance, but also the shared focus that connects every player on stage. It reflects both my experience as a musician and my growth as a painter, and I hope it connects with anyone who appreciates the presence and energy of live classical music.


Thursday, January 29, 2026

Self Portrait (2026)


 Self Portrait (2026)

8x10 Acrylic on Canvas
by
 Daniel Cormier

Painted from life using a mirror, this self-portrait reflects over 30 years of lived experience as a visual artist. I approached the work with a loose, intuitive exploration of color, using minimal brushstrokes to let feeling lead form. Created at a turning point in my practice, this painting marks a quiet but decisive shift in my aesthetic and serves as a foundation for the work that is now emerging.

Portrait of a Blind Man (2021)

 


Portrait of a Blind Man (2021)
20x16 Oil on Canvas
by
 Daniel Cormier

I met this man during my travels through the Caribbean between 2019 and 2021, on the island of Grenada just north of Trinidad. Blind since birth, he carried a presence that immediately drew me in. When I asked if I could paint his portrait, he agreed with a quiet confidence that stayed with me.


In creating this piece, I pushed the vibrancy and tonal range to reflect the spirit of Grenada—the warmth of its people, the rhythm of its culture, and the lasting impression the island left on me. What stays with me most is the bittersweet truth that this gentleman will never be able to see what is likely the only portrait ever made of him. Yet somehow, that makes the painting feel even more meaningful.